After Effects: Advanced Velocity Editing

Хорошие шрифты. Christian Schwartz remembers how elated he was to see one of his typefaces used on the cover of Rolling Stone for the first time. It was in 1998, during the illustrious Fred Woodward–Gail Anderson era; Robusto and Bold cuts of Fritz, an homage to Oz Cooper, were used to set coverlines over a full-bleed image of Katie Holmes. So when Richard Turley of Food and Mark Leeds of c-ll-ct-v-ly called on Commercial Type earlier this year to rethink the magazine’s type palette for the redesign they were working on, Christian didn’t hesitate to say yes.  #typography #custom #typeface #editorial