Robin Kinross:
The exchanges in 1946 between Max Bill and Jan Tschichold never go away. They combined typography, aesthetics, morality, politics, at a level of seriousness that is rare in any such debate between designers. (In a one sentence summary: Bill accused Tschichold of now practising a reactionary typography, with dangerous political echoes; Tschichold considered Bill’s typography to be artistic in a bad sense, and with a false respect for industrial production.) Recently, revising a text that I had written in the 1990s about the conditions for design in Europe after 1945, I had to check its publishing details again.
https://hyphenpress.co.uk/2025/02/24/bill_5_tschichold_6/












