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by order The graphic type suite comprises a full A-Z uppercase alphabet, with 0-9 numerals. Its design is intended to blend the digital space Domaine occupies with the flexibility of their approach. #custom #mono #typeface #pixel #identity

#typedesign #logico

Эта картинка — анонс развернутого и богато иллюстрированного рассказа про историю шрифта Гортон. Прекрасное. #typedesign #wow

by workroom Довольно логично, на первый взгляд. Пропорции знаков определяются геометрией и желаниями автора получить особую выразительность в наборе. 🎬———>> wwwwwwww #typedesign #logico #custom #typeface

#magcover

Edward Leida Подскочило и отскочило. Экономно. #editorial #typography

#ttypography #trick #magcover

by Cosydesign Компания, которая управляет рестораном. Названа в честь горы Шиниолчу, которая, как говорят, является самой красивой горой в мире. 🗻——>>>>> wwwww #logo #japan

by Carlos Segura In one respect it was groundbreaking: the first How Conference collateral campaign — ads, cards, a notebook cover, etc. — to be fully computer-generated. On a Mac IIci, to be precise, using Quark, Illustrator, and Photoshop. “We encountered many technical issues, all of which sound silly now, since everything is done this way. But back then it seemed everything was going wrong. We finally got it together and made it happen. “By the way, the typeface designed for this event — called Neo — went on to become one of the first fonts we released via t26.com,” tells Segura #typography #old_good_things #typedesign

Australia Сочетание «негатива» и «позитива» в построении знаков логотипа. #logo #trick

2017 That was a redesign of classic Gzhel Porcelain Ceramics by then a designer and now art-director of Strelka Institute - Anna Kulachek. #trick #identity

2011 • PAPA'S&MAMA'S CREATIVE Просто логотип. #logo

#japan #logo #3D #trick

Компромис в наложении текста на GIE (левый край, верх). #3D #typography

📚——>>>> wwwwwwww #magcover #multiply #trick #typography

#logo #identity

#grid #3D

#wow #analog #old_good_things #pattern

Хорошие шрифты. Christian Schwartz remembers how elated he was to see one of his typefaces used on the cover of Rolling Stone for the first time. It was in 1998, during the illustrious Fred Woodward–Gail Anderson era; Robusto and Bold cuts of Fritz, an homage to Oz Cooper, were used to set coverlines over a full-bleed image of Katie Holmes. So when Richard Turley of Food and Mark Leeds of c-ll-ct-v-ly called on Commercial Type earlier this year to rethink the magazine’s type palette for the redesign they were working on, Christian didn’t hesitate to say yes.  #typography #custom #typeface #editorial